Samuel Taylor Coleridge
Samuel Taylor Coleridge was a major poet of the English Romantic period, a literary movement characterized by imagination, passion, and the supernatural. He is also noted for his works on literature, religion, and the organization of society.
Childhood Talents
Samuel Taylor Coleridge, the tenth and last child of the vicar of Ottery Saint Mary near Devonshire, England, was born on October 21, 1772. After his father's death in 1782, he was sent to Christ's Hospital for schooling. He had an amazing memory and an eagerness to learn. However, he described his next three years of school as, "depressed, moping, friendless." In 1791 he entered Jesus College, Cambridge, England. Because of bad debts, Coleridge joined the 15th Light Dragoons, a British cavalry unit, in December 1793. After his discharge in April 1794, he returned to Jesus College, but he left in December without completing a degree.
The reason he left was because of his developing friendship with Robert Southey (1774–1843). Both young men were very interested in poetry and shared the same dislike for the neoclassic tradition (a return to the Greek and Latin classics). Both were also radicals in politics. From their emotional and idealistic conversations, they developed a plan for a "pantisocracy," a vision of an ideal community to be founded in America. This plan never came to be. On October 4, 1795, Coleridge married Sara Fricker, the sister of Southey's wife-to-be. By that time, however, his friendship with Southey had already ended.
Poetic Career
The years from 1795 to 1802 were for Coleridge a period of fast poetic and intellectual growth. His first major poem, "The Eolian Harp," was published in 1796 in his Poems on Various Subjects. Its verse and theme contributed to the growth of English Romanticism, illustrating a blending of emotional expression and description with meditation.
From March to May 1796 Coleridge edited the Watchman, a periodical that failed after ten issues. While this failure made him realize that he was "not fit for public life," his next poem, "Ode to the Departing Year," shows that he still had poetic passion. Yet philosophy and religion were his overriding interests. In Religious Musings (published in 1796), he wrote about the unity and wholeness of the universe and the relationship between God and the created world.
The most influential event in Coleridge's career was his friendship with William Wordsworth (1770–1850) and his wife Dorothy from 1796 to 1810. This friendship brought a joint publication with Wordsworth of the Lyrical Ballads, a collection of twenty-three poems, in September 1798. The volume contained nineteen of Wordsworth's poems and four of Coleridge's. The most famous of these was "The Rime of the Ancient Mariner." Coleridge later described the division of labor between the two poets: Wordsworth was "to give the charm of novelty to things of every day by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us," while Coleridge's "endeavours should be directed to persons and characters supernatural, or at least romantic."
A second, enlarged edition of Coleridge's Poems also appeared in 1798. It contained further lyrical and symbolic works, such as "This Lime-Tree Bower, My Prison" and "Fears in Solitude." At this time Coleridge also wrote "Kubla Khan," perhaps the most famous of his poems, and began the piece "Christabel."
Personal Difficulties
After spending a year in Germany with the Wordsworths, Coleridge returned to England and settled in the Lake District. For the next twelve years Coleridge had a miserable life. The climate made his many ailments worse. For pain relief he took laudanum, a type of opium drug, and soon became an addict. His marriage was failing, especially once Coleridge fell in love with Sara Hutchinson, Wordsworth's sister-in-law. Poor health and emotional stress affected his writing. However, in 1802, he did publish the last and most moving of his major poems, "Dejection: An Ode." After a two-year stay in Malta (a group of islands in the Mediterranean), he separated from his wife in 1806. The only bright point in his life was his friendship with the Wordsworths, but by 1810, after his return to the Lake District, their friendship had lessened. Coleridge then moved to London.
Meanwhile, Coleridge's poetry and his brilliant conversation had earned him public recognition, and between 1808 and 1819 he gave several series of lectures, mainly on William Shakespeare (1564–1616) and other literary topics. His only dramatic work, Osorio, written in 1797, was performed in 1813 under the title Remorse. "Christabel" and "Kubla Khan" were published in 1816.
Later Life
Coleridge spent the last eighteen years of his life at Highgate, near London, England, as a patient under the care of Dr. James Gillman. There he wrote several works which were to have tremendous influence on the future course of English thought in many fields: Biographia literaria (1817), Lay Sermons (1817), Aids to Reflection (1825), and The Constitution of Church and State (1829).
When Coleridge died on July 25, 1834, at Highgate, he left bulky manuscript notes that scholars of the mid-twentieth century found and began editing. When the material is eventually published, scholars and the general public will realize the extraordinary range and depth of Coleridge's philosophical thoughts, and will understand his true impact on generations of poets and thinkers.
Childhood Talents
Samuel Taylor Coleridge, the tenth and last child of the vicar of Ottery Saint Mary near Devonshire, England, was born on October 21, 1772. After his father's death in 1782, he was sent to Christ's Hospital for schooling. He had an amazing memory and an eagerness to learn. However, he described his next three years of school as, "depressed, moping, friendless." In 1791 he entered Jesus College, Cambridge, England. Because of bad debts, Coleridge joined the 15th Light Dragoons, a British cavalry unit, in December 1793. After his discharge in April 1794, he returned to Jesus College, but he left in December without completing a degree.
The reason he left was because of his developing friendship with Robert Southey (1774–1843). Both young men were very interested in poetry and shared the same dislike for the neoclassic tradition (a return to the Greek and Latin classics). Both were also radicals in politics. From their emotional and idealistic conversations, they developed a plan for a "pantisocracy," a vision of an ideal community to be founded in America. This plan never came to be. On October 4, 1795, Coleridge married Sara Fricker, the sister of Southey's wife-to-be. By that time, however, his friendship with Southey had already ended.
Poetic Career
The years from 1795 to 1802 were for Coleridge a period of fast poetic and intellectual growth. His first major poem, "The Eolian Harp," was published in 1796 in his Poems on Various Subjects. Its verse and theme contributed to the growth of English Romanticism, illustrating a blending of emotional expression and description with meditation.
From March to May 1796 Coleridge edited the Watchman, a periodical that failed after ten issues. While this failure made him realize that he was "not fit for public life," his next poem, "Ode to the Departing Year," shows that he still had poetic passion. Yet philosophy and religion were his overriding interests. In Religious Musings (published in 1796), he wrote about the unity and wholeness of the universe and the relationship between God and the created world.
The most influential event in Coleridge's career was his friendship with William Wordsworth (1770–1850) and his wife Dorothy from 1796 to 1810. This friendship brought a joint publication with Wordsworth of the Lyrical Ballads, a collection of twenty-three poems, in September 1798. The volume contained nineteen of Wordsworth's poems and four of Coleridge's. The most famous of these was "The Rime of the Ancient Mariner." Coleridge later described the division of labor between the two poets: Wordsworth was "to give the charm of novelty to things of every day by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us," while Coleridge's "endeavours should be directed to persons and characters supernatural, or at least romantic."
A second, enlarged edition of Coleridge's Poems also appeared in 1798. It contained further lyrical and symbolic works, such as "This Lime-Tree Bower, My Prison" and "Fears in Solitude." At this time Coleridge also wrote "Kubla Khan," perhaps the most famous of his poems, and began the piece "Christabel."
Personal Difficulties
After spending a year in Germany with the Wordsworths, Coleridge returned to England and settled in the Lake District. For the next twelve years Coleridge had a miserable life. The climate made his many ailments worse. For pain relief he took laudanum, a type of opium drug, and soon became an addict. His marriage was failing, especially once Coleridge fell in love with Sara Hutchinson, Wordsworth's sister-in-law. Poor health and emotional stress affected his writing. However, in 1802, he did publish the last and most moving of his major poems, "Dejection: An Ode." After a two-year stay in Malta (a group of islands in the Mediterranean), he separated from his wife in 1806. The only bright point in his life was his friendship with the Wordsworths, but by 1810, after his return to the Lake District, their friendship had lessened. Coleridge then moved to London.
Meanwhile, Coleridge's poetry and his brilliant conversation had earned him public recognition, and between 1808 and 1819 he gave several series of lectures, mainly on William Shakespeare (1564–1616) and other literary topics. His only dramatic work, Osorio, written in 1797, was performed in 1813 under the title Remorse. "Christabel" and "Kubla Khan" were published in 1816.
Later Life
Coleridge spent the last eighteen years of his life at Highgate, near London, England, as a patient under the care of Dr. James Gillman. There he wrote several works which were to have tremendous influence on the future course of English thought in many fields: Biographia literaria (1817), Lay Sermons (1817), Aids to Reflection (1825), and The Constitution of Church and State (1829).
When Coleridge died on July 25, 1834, at Highgate, he left bulky manuscript notes that scholars of the mid-twentieth century found and began editing. When the material is eventually published, scholars and the general public will realize the extraordinary range and depth of Coleridge's philosophical thoughts, and will understand his true impact on generations of poets and thinkers.
"Kubla Khan"
In Xanadu did Kubla Khan
A stately pleasure-dome decree :
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round :
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree ;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But oh ! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover !
A savage place ! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover !
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced :
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail :
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean :
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war !
The shadow of the dome of pleasure
Floated midway on the waves ;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice !
A damsel with a dulcimer
In a vision once I saw :
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome ! those caves of ice !
And all who heard should see them there,
And all should cry, Beware ! Beware !
His flashing eyes, his floating hair !
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.
In Xanadu did Kubla Khan
A stately pleasure-dome decree :
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round :
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree ;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But oh ! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover !
A savage place ! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover !
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced :
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail :
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean :
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war !
The shadow of the dome of pleasure
Floated midway on the waves ;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice !
A damsel with a dulcimer
In a vision once I saw :
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome ! those caves of ice !
And all who heard should see them there,
And all should cry, Beware ! Beware !
His flashing eyes, his floating hair !
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.
"The Rime of the Ancient Mariner"
Part I
It is an ancient mariner And he stoppeth one of three. --“By thy long grey beard and glittering eye, Now wherefore stoppest thou me? The bridegroom’s doors are opened wide, And I am next of kin; The guests are met, the feast is set: Mayst hear the merry din.” He holds him with his skinny hand, “There was a ship," quoth he. “Hold off! unhand me, grey-beard loon!” Eftsoons his hand dropped he. He holds him with his glittering eye-- The wedding-guest stood still, And listens like a three-years’ child: The mariner hath his will. The wedding-guest sat on a stone: He cannot choose but hear; And thus spake on that ancient man, The bright-eyed mariner. “The ship was cheered, the harbour cleared, Merrily did we drop Below the kirk, below the hill, Below the lighthouse top. The sun came up upon the left, Out of the sea came he! And he shone bright, and on the right Went down into the sea. Higher and higher every day, Till over the mast at noon--" The wedding-guest here beat his breast, For he heard the loud bassoon. The bride hath paced into the hall, Red as a rose is she; Nodding their heads before her goes The merry minstrelsy. The wedding-guest he beat his breast, Yet he cannot choose but hear; And thus spake on that ancient man, The bright-eyed mariner. “And now the storm-blast came, and he Was tyrannous and strong; He struck with his o’ertaking wings, And chased us south along. With sloping masts and dipping prow, As who pursued with yell and blow Still treads the shadow of his foe, And forward bends his head, The ship drove fast, loud roared the blast, And southward aye we fled. Listen, stranger! Mist and snow, And it grew wondrous cold: And ice mast-high came floating by, As green as emerald. And through the drifts the snowy clifts Did send a dismal sheen: Nor shapes of men nor beasts we ken-- The ice was all between. The ice was here, the ice was there, The ice was all around: It cracked and growled, and roared and howled, Like noises in a swound! At length did cross an albatross, Thorough the fog it came; As if it had been a Christian soul, We hailed it in God’s name. It ate the food it ne’er had eat, And round and round it flew. The ice did split with a thunder-fit; The helmsman steered us through! And a good south wind sprung up behind; The albatross did follow, And every day, for food or play, Came to the mariners’ hollo! In mist or cloud, on mast or shroud, It perched for vespers nine; Whiles all the night, through fog-smoke white, Glimmered the white moon-shine.” “God save thee, ancient mariner! From the fiends, that plague thee thus!-- Why lookst thou so?” “With my crossbow I shot the albatross.
Part II
The sun now rose upon the right: Out of the sea came he, Still hid in mist, and on the left Went down into the sea. And the good south wind still blew behind, But no sweet bird did follow, Nor any day for food or play Came to the mariners’ hollo! And I had done an hellish thing, And it would work ‘em woe: For all averred, I had killed the bird That made the breeze to blow. Ah wretch! said they, the bird to slay, That made the breeze to blow! Nor dim nor red, like God’s own head, The glorious sun uprist: Then all averred, I had killed the bird That brought the fog and mist. ‘Twas right, said they, such birds to slay, That bring the fog and mist. The fair breeze blew, the white foam flew, The furrow followed free; We were the first that ever burst Into that silent sea. Down dropped the breeze, the sails dropped down, ‘Twas sad as sad could be; And we did speak only to break The silence of the sea! All in a hot and copper sky, The bloody sun, at noon, Right up above the mast did stand, No bigger than the moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean. Water, water, everywhere, And all the boards did shrink; Water, water, everywhere, Nor any drop to drink. The very deeps did rot: O Christ! That ever this should be! Yea, slimy things did crawl with legs Upon the slimy sea. About, about, in reel and rout The death-fires danced at night; The water, like a witch’s oils, Burnt green, and blue and white. And some in dreams assured were Of the spirit that plagued us so; Nine fathom deep he had followed us From the land of mist and snow. And every tongue, through utter drought, Was withered at the root; We could not speak, no more than if We had been choked with soot. Ah! wel-a-day! what evil looks Had I from old and young! Instead of the cross, the albatross About my neck was hung.
Part III
There passed a weary time. Each throat Was parched, and glazed each eye. A weary time! A weary time! How glazed each weary eye, When looking westward, I beheld A something in the sky. At first it seemed a little speck, And then it seemed a mist; It moved and moved, and took at last A certain shape, I wist. A speck, a mist, a shape, I wist! And still it neared and neared: As if it dodged a water sprite, It plunged and tacked and veered. With throats unslaked, with black lips baked, We could nor laugh nor wail; Through utter drouth all dumb we stood! I bit my arm, I sucked the blood, And cried, A sail! a sail! With throats unslaked, with black lips baked, Agape they heard me call: Gramercy! they for joy did grin, And all at once their breath drew in, As they were drinking all. See! see! (I cried) she tacks no more! Hither to work us weal; Without a breeze, without a tide, She steadies with upright keel! The western wave was all aflame. The day was well nigh done! Almost upon the western wave Rested the broad bright sun; When that strange shape drove suddenly Betwixt us and the sun. And straight the sun was flecked with bars, (Heaven’s mother send us grace!) As if through a dungeon grate he peered With broad and burning face. Alas! (thought I, and my heart beat loud) How fast she nears and nears! Are those her sails that glance in the sun, Like restless gossameres? Are those her ribs through which the sun Did peer, as through a grate? And is that woman all her crew? Is that a Death? and are there two? Is Death that woman’s mate? Her lips were red, her looks were free, Her locks were yellow as gold: Her skin was as white as leprosy, The nightmare Life-in-Death was she, Who thicks man’s blood with cold. The naked hulk alongside came, And the twain were casting dice; ‘The game is done! I’ve won! I’ve won!' Quoth she, and whistles thrice. The sun’s rim dips; the stars rush out: At one stride comes the dark; With far-heard whisper, o’er the sea, Off shot the spectre bark. We listened and looked sideways up! Fear at my heart, as at a cup, My lifeblood seemed to sip! The stars were dim, and thick the night, The steersman’s face by his lamp gleamed white; From the sails the dews did drip-- Till clomb above the eastern bar The horned moon, with one bright star Within the nether tip. One after one, by the star-dogged moon, Too quick for groan or sigh, Each turned his face with ghastly pang, And cursed me with his eye. Four times fifty living men, (And I heard nor sigh nor groan) With heavy thump, a lifeless lump, They dropped down one by one. Their souls did from their bodies fly-- They fled to bliss or woe! And every soul, it passed me by, Like the whizz of my crossbow!”
Part IV
“I fear thee, ancient mariner! I fear thy skinny hand! And thou art long, and lank, and brown, As is the ribbed sea-sand. I fear thee and thy glittering eye, And thy skinny hand, so brown.”-- “Fear not, fear not, thou wedding-guest! This body dropped not down. Alone, alone, all, all alone, Alone on a wide wide sea! And never a saint took pity on My soul in agony. The many men, so beautiful! And they all dead did lie: And a thousand thousand slimy things Lived on; and so did I. I looked upon the rotting sea, And drew my eyes away; I looked upon the rotting deck, And there the dead men lay. I looked to heaven, and tried to pray; But or ever a prayer had gushed, A wicked whisper came, and made My heart as dry as dust. I closed my lids, and kept them close, Till the balls like pulses beat; For the sky and the sea, and the sea and the sky Lay like a load on my weary eye, And the dead were at my feet. The cold sweat melted from their limbs, Nor rot nor reek did they: The look with which they looked on me Had never passed away. An orphan’s curse would drag to hell A spirit from on high; But oh! more horrible than that Is the curse in a dead man’s eye! Seven days, seven nights, I saw that curse, And yet I could not die. The moving moon went up the sky, And nowhere did abide: Softly she was going up, And a star or two beside-- Her beams bemocked the sultry main, Like April hoar-frost spread; But where the ship’s huge shadow lay, The charmed water burnt alway A still and awful red. Beyond the shadow of the ship, I watched the water snakes: They moved in tracks of shining white, And when they reared, the elfish light Fell off in hoary flakes. Within the shadow of the ship I watched their rich attire: Blue, glossy green, and velvet black, They coiled and swam; and every track Was a flash of golden fire. O happy living things! No tongue Their beauty might declare: A spring of love gushed from my heart, And I blessed them unaware: Sure my kind saint took pity on me, And I blessed them unaware. The selfsame moment I could pray; And from my neck so free The albatross fell off, and sank Like lead into the sea.
Part V
Oh sleep! it is a gentle thing, Beloved from pole to pole! To Mary-Queen the praise be given! She sent the gentle sleep from heaven, That slid into my soul. The silly buckets on the deck, That had so long remained, I dreamt that they were filled with dew; And when I awoke, it rained. My lips were wet, my throat was cold, My garments all were dank; Sure I had drunken in my dreams, And still my body drank. I moved, and could not feel my limbs: I was so light--almost I thought that I had died in sleep, And was a blessed ghost. And soon I heard a roaring wind: It did not come anear; But with its sound it shook the sails, That were so thin and sere. The upper air bursts into life! And a hundred fire-flags sheen, To and fro they were hurried about! And to and fro, and in and out, The wan stars danced between. And the coming wind did roar more loud, And the sails did sigh like sedge; And the rain poured down from one black cloud; The moon was at its edge. The thick black cloud was cleft, and still The moon was at its side: Like waters shot from some high crag, The lightning fell with never a jag, A river steep and wide. The loud wind never reached the ship, Yet now the ship moved on! Beneath the lightning and the moon The dead men gave a groan. They groaned, they stirred, they all uprose, Nor spake, nor moved their eyes; It had been strange, even in a dream, To have seen those dead men rise. The helmsman steered, the ship moved on; Yet never a breeze up-blew; The mariners all ‘gan work the ropes, Where they were wont to do; They raised their limbs like lifeless tools-- We were a ghastly crew. The body of my brother’s son Stood by me, knee to knee: The body and I pulled at one rope, But he said nought to me.” “I fear thee, ancient mariner!” “Be calm, thou wedding-guest! ‘Twas not those souls that fled in pain, Which to their corses came again, But a troop of spirits blessed. For when it dawned--they dropped their arms, And clustered round the mast; Sweet sounds rose slowly through their mouths, And from their bodies passed. Around, around, flew each sweet sound, Then darted to the sun; Slowly the sounds came back again, Now mixed, now one by one. Sometimes a-dropping from the sky I heard the skylark sing; Sometimes all little birds that are, How they seemed to fill the sea and air With their sweet jargoning! And now ‘twas like all instruments, Now like a lonely flute; And now it is an angel’s song, That makes the heavens be mute. It ceased; yet still the sails made on A pleasant noise till noon, A noise like of a hidden brook In the leafy month of June, That to the sleeping woods all night Singeth a quiet tune. Till noon we silently sailed on, Yet never a breeze did breathe: Slowly and smoothly went the ship, Moved onward from beneath. Under the keel nine fathom deep, From the land of mist and snow, The spirit slid: and it was he That made the ship to go. The sails at noon left off their tune, And the ship stood still also. The sun, right up above the mast, Had fixed her to the ocean: But in a minute she ‘gan stir, With a short uneasy motion-- Backwards and forwards half her length With a short uneasy motion. Then like a pawing horse let go, She made a sudden bound: It flung the blood into my head, And I fell down in a swound. How long in that same fit I lay, I have not to declare; But ere my living life returned, I heard and in my soul discerned Two voices in the air. ‘Is it he?' quoth one, ‘Is this the man? By him who died on cross, With his cruel bow he laid full low The harmless albatross. The spirit who bideth by himself In the land of mist and snow, He loved the bird that loved the man Who shot him with his bow.' The other was a softer voice, As soft as honeydew: Quoth he, ‘The man hath penance done, And penance more will do.'
Part VI
FIRST VOICE ‘But tell me, tell me! speak again, Thy soft response renewing-- What makes that ship drive on so fast? What is the ocean doing?' SECOND VOICE ‘Still as a slave before his lord, The ocean hath no blast; His great bright eye most silently Up to the moon is cast-- If he may know which way to go; For she guides him smooth or grim. See, brother, see! how graciously She looketh down on him.' FIRST VOICE ‘But why drives on that ship so fast, Without or wave or wind?' SECOND VOICE ‘The air is cut away before, And closes from behind. Fly, brother, fly! more high, more high! Or we shall be belated: For slow and slow that ship will go, When the mariner’s trance is abated.' I woke, and we were sailing on As in a gentle weather: ‘Twas night, calm night, the moon was high; The dead men stood together. All stood together on the deck, For a charnel-dungeon fitter: All fixed on me their stony eyes, That in the moon did glitter. The pang, the curse, with which they died, Had never passed away: I could not draw my eyes from theirs, Nor turn them up to pray. And now this spell was snapped: once more I viewed the ocean green, And looked far forth, yet little saw Of what had else been seen-- Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head; Because he knows a frightful fiend Doth close behind him tread. But soon there breathed a wind on me, Nor sound nor motion made: Its path was not upon the sea, In ripple or in shade. It raised my hair, it fanned my cheek Like a meadow-gale of spring-- It mingled strangely with my fears, Yet it felt like a welcoming. Swiftly, swiftly flew the ship, Yet she sailed softly too: Sweetly, sweetly blew the breeze-- On me alone it blew. O dream of joy! is this indeed The lighthouse top I see? Is this the hill? is this the kirk? Is this mine own country? We drifted o’er the harbour bar, And I with sobs did pray-- O let me be awake, my God! Or let me sleep alway! The harbour bay was clear as glass, So smoothly it was strewn! And on the bay the moonlight lay, And the shadow of the moon. The rock shone bright, the kirk no less, That stands above the rock: The moonlight steeped in silentness The steady weathercock. And the bay was white with silent light, Till rising from the same, Full many shapes, that shadows were, In crimson colours came. A little distance from the prow Those crimson shadows were: I turned my eyes upon the deck-- O Christ! what saw I there! Each corse lay flat, lifeless and flat, And, by the holy rood! A man all light, a seraph man, On every corse there stood. This seraph band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph band, each waved his hand, No voice did they impart-- No voice; but oh! the silence sank Like music on my heart. But soon I heard the dash of oars, I heard the pilot’s cheer; My head was turned perforce away And I saw a boat appear. The pilot and the pilot’s boy, I heard them coming fast: Dear Lord in heaven! it was a joy The dead men could not blast. I saw a third--I heard his voice: It is the hermit good! He singeth loud his godly hymns That he makes in the wood. He’ll shrieve my soul, he’ll wash away The albatross’s blood.
Part VII
This hermit good lives in that wood Which slopes down to the sea. How loudly his sweet voice he rears! He loves to talk with mariners That come from a far country. He kneels at morn, and noon, and eve-- He hath a cushion plump: It is the moss that wholly hides The rotted old oak stump. The skiff boat neared: I heard them talk, ‘Why, this is strange, I trow! Where are those lights so many and fair, That signal made but now?' ‘Strange, by my faith!' the hermit said-- ‘And they answered not our cheer! The planks look warped! and see those sails, How thin they are and sere! I never saw aught like to them, Unless perchance it were Brown skeletons of leaves that lag My forest-brook along; When the ivy tod is heavy with snow, And the owlet whoops to the wolf below, That eats the she-wolf’s young.' ‘Dear Lord! it hath a fiendish look,' The pilot made reply, ‘I am a-feared’--‘Push on, push on!' Said the hermit cheerily. The boat came closer to the ship, But I nor spake nor stirred; The boat came close beneath the ship, And straight a sound was heard. Under the water it rumbled on, Still louder and more dread: It reached the ship, it split the bay; The ship went down like lead. Stunned by that loud and dreadful sound, Which sky and ocean smote Like one that hath been seven days drowned My body lay afloat; But swift as dreams, myself I found Within the pilot’s boat. Upon the whirl, where sank the ship, The boat spun round and round; And all was still, save that the hill Was telling of the sound. I moved my lips--the pilot shrieked And fell down in a fit; The holy hermit raised his eyes, And prayed where he did sit. I took the oars: the pilot’s boy, Who now doth crazy go, Laughed loud and long, and all the while His eyes went to and fro. ‘Ha! ha!' quoth he, ‘full plain I see, The devil knows how to row.' And now, all in my own country, I stood on the firm land! The hermit stepped forth from the boat, And scarcely he could stand. ‘Oh shrieve me, shrieve me, holy man!' The hermit crossed his brow. ‘Say quick,' quoth he, ‘I bid thee say-- What manner of man art thou?' Forthwith this frame of mine was wrenched With a woeful agony, Which forced me to begin my tale; And then it left me free. Since then, at an uncertain hour, That agony returns: And till my ghastly tale is told, This heart within me burns. I pass, like night, from land to land; I have strange power of speech; The moment that his face I see, I know the man that must hear me: To him my tale I teach. What loud uproar bursts from that door! The wedding-guests are there: But in the garden-bower the bride And bridemaids singing are: And hark the little vesper bell, Which biddeth me to prayer! O wedding-guest! This soul hath been Alone on a wide wide sea: So lonely ‘twas, that God himself Scarce seemed there to be. Oh sweeter than the marriage feast, ‘Tis sweeter far to me, To walk together to the kirk With a goodly company!-- To walk together to the kirk, And all together pray, While each to his great Father bends, Old men, and babes, and loving friends And youths and maidens gay! Farewell, farewell! but this I tell To thee, thou wedding-guest! He prayeth well, who loveth well Both man and bird and beast. He prayeth best, who loveth best All things both great and small; For the dear God who loveth us, He made and loveth all.” The mariner, whose eye is bright, Whose beard with age is hoar, Is gone: and now the wedding-guest Turned from the bridegroom’s door. He went like one that hath been stunned, And is of sense forlorn: A sadder and a wiser man, He rose the morrow morn
Part I
It is an ancient mariner And he stoppeth one of three. --“By thy long grey beard and glittering eye, Now wherefore stoppest thou me? The bridegroom’s doors are opened wide, And I am next of kin; The guests are met, the feast is set: Mayst hear the merry din.” He holds him with his skinny hand, “There was a ship," quoth he. “Hold off! unhand me, grey-beard loon!” Eftsoons his hand dropped he. He holds him with his glittering eye-- The wedding-guest stood still, And listens like a three-years’ child: The mariner hath his will. The wedding-guest sat on a stone: He cannot choose but hear; And thus spake on that ancient man, The bright-eyed mariner. “The ship was cheered, the harbour cleared, Merrily did we drop Below the kirk, below the hill, Below the lighthouse top. The sun came up upon the left, Out of the sea came he! And he shone bright, and on the right Went down into the sea. Higher and higher every day, Till over the mast at noon--" The wedding-guest here beat his breast, For he heard the loud bassoon. The bride hath paced into the hall, Red as a rose is she; Nodding their heads before her goes The merry minstrelsy. The wedding-guest he beat his breast, Yet he cannot choose but hear; And thus spake on that ancient man, The bright-eyed mariner. “And now the storm-blast came, and he Was tyrannous and strong; He struck with his o’ertaking wings, And chased us south along. With sloping masts and dipping prow, As who pursued with yell and blow Still treads the shadow of his foe, And forward bends his head, The ship drove fast, loud roared the blast, And southward aye we fled. Listen, stranger! Mist and snow, And it grew wondrous cold: And ice mast-high came floating by, As green as emerald. And through the drifts the snowy clifts Did send a dismal sheen: Nor shapes of men nor beasts we ken-- The ice was all between. The ice was here, the ice was there, The ice was all around: It cracked and growled, and roared and howled, Like noises in a swound! At length did cross an albatross, Thorough the fog it came; As if it had been a Christian soul, We hailed it in God’s name. It ate the food it ne’er had eat, And round and round it flew. The ice did split with a thunder-fit; The helmsman steered us through! And a good south wind sprung up behind; The albatross did follow, And every day, for food or play, Came to the mariners’ hollo! In mist or cloud, on mast or shroud, It perched for vespers nine; Whiles all the night, through fog-smoke white, Glimmered the white moon-shine.” “God save thee, ancient mariner! From the fiends, that plague thee thus!-- Why lookst thou so?” “With my crossbow I shot the albatross.
Part II
The sun now rose upon the right: Out of the sea came he, Still hid in mist, and on the left Went down into the sea. And the good south wind still blew behind, But no sweet bird did follow, Nor any day for food or play Came to the mariners’ hollo! And I had done an hellish thing, And it would work ‘em woe: For all averred, I had killed the bird That made the breeze to blow. Ah wretch! said they, the bird to slay, That made the breeze to blow! Nor dim nor red, like God’s own head, The glorious sun uprist: Then all averred, I had killed the bird That brought the fog and mist. ‘Twas right, said they, such birds to slay, That bring the fog and mist. The fair breeze blew, the white foam flew, The furrow followed free; We were the first that ever burst Into that silent sea. Down dropped the breeze, the sails dropped down, ‘Twas sad as sad could be; And we did speak only to break The silence of the sea! All in a hot and copper sky, The bloody sun, at noon, Right up above the mast did stand, No bigger than the moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean. Water, water, everywhere, And all the boards did shrink; Water, water, everywhere, Nor any drop to drink. The very deeps did rot: O Christ! That ever this should be! Yea, slimy things did crawl with legs Upon the slimy sea. About, about, in reel and rout The death-fires danced at night; The water, like a witch’s oils, Burnt green, and blue and white. And some in dreams assured were Of the spirit that plagued us so; Nine fathom deep he had followed us From the land of mist and snow. And every tongue, through utter drought, Was withered at the root; We could not speak, no more than if We had been choked with soot. Ah! wel-a-day! what evil looks Had I from old and young! Instead of the cross, the albatross About my neck was hung.
Part III
There passed a weary time. Each throat Was parched, and glazed each eye. A weary time! A weary time! How glazed each weary eye, When looking westward, I beheld A something in the sky. At first it seemed a little speck, And then it seemed a mist; It moved and moved, and took at last A certain shape, I wist. A speck, a mist, a shape, I wist! And still it neared and neared: As if it dodged a water sprite, It plunged and tacked and veered. With throats unslaked, with black lips baked, We could nor laugh nor wail; Through utter drouth all dumb we stood! I bit my arm, I sucked the blood, And cried, A sail! a sail! With throats unslaked, with black lips baked, Agape they heard me call: Gramercy! they for joy did grin, And all at once their breath drew in, As they were drinking all. See! see! (I cried) she tacks no more! Hither to work us weal; Without a breeze, without a tide, She steadies with upright keel! The western wave was all aflame. The day was well nigh done! Almost upon the western wave Rested the broad bright sun; When that strange shape drove suddenly Betwixt us and the sun. And straight the sun was flecked with bars, (Heaven’s mother send us grace!) As if through a dungeon grate he peered With broad and burning face. Alas! (thought I, and my heart beat loud) How fast she nears and nears! Are those her sails that glance in the sun, Like restless gossameres? Are those her ribs through which the sun Did peer, as through a grate? And is that woman all her crew? Is that a Death? and are there two? Is Death that woman’s mate? Her lips were red, her looks were free, Her locks were yellow as gold: Her skin was as white as leprosy, The nightmare Life-in-Death was she, Who thicks man’s blood with cold. The naked hulk alongside came, And the twain were casting dice; ‘The game is done! I’ve won! I’ve won!' Quoth she, and whistles thrice. The sun’s rim dips; the stars rush out: At one stride comes the dark; With far-heard whisper, o’er the sea, Off shot the spectre bark. We listened and looked sideways up! Fear at my heart, as at a cup, My lifeblood seemed to sip! The stars were dim, and thick the night, The steersman’s face by his lamp gleamed white; From the sails the dews did drip-- Till clomb above the eastern bar The horned moon, with one bright star Within the nether tip. One after one, by the star-dogged moon, Too quick for groan or sigh, Each turned his face with ghastly pang, And cursed me with his eye. Four times fifty living men, (And I heard nor sigh nor groan) With heavy thump, a lifeless lump, They dropped down one by one. Their souls did from their bodies fly-- They fled to bliss or woe! And every soul, it passed me by, Like the whizz of my crossbow!”
Part IV
“I fear thee, ancient mariner! I fear thy skinny hand! And thou art long, and lank, and brown, As is the ribbed sea-sand. I fear thee and thy glittering eye, And thy skinny hand, so brown.”-- “Fear not, fear not, thou wedding-guest! This body dropped not down. Alone, alone, all, all alone, Alone on a wide wide sea! And never a saint took pity on My soul in agony. The many men, so beautiful! And they all dead did lie: And a thousand thousand slimy things Lived on; and so did I. I looked upon the rotting sea, And drew my eyes away; I looked upon the rotting deck, And there the dead men lay. I looked to heaven, and tried to pray; But or ever a prayer had gushed, A wicked whisper came, and made My heart as dry as dust. I closed my lids, and kept them close, Till the balls like pulses beat; For the sky and the sea, and the sea and the sky Lay like a load on my weary eye, And the dead were at my feet. The cold sweat melted from their limbs, Nor rot nor reek did they: The look with which they looked on me Had never passed away. An orphan’s curse would drag to hell A spirit from on high; But oh! more horrible than that Is the curse in a dead man’s eye! Seven days, seven nights, I saw that curse, And yet I could not die. The moving moon went up the sky, And nowhere did abide: Softly she was going up, And a star or two beside-- Her beams bemocked the sultry main, Like April hoar-frost spread; But where the ship’s huge shadow lay, The charmed water burnt alway A still and awful red. Beyond the shadow of the ship, I watched the water snakes: They moved in tracks of shining white, And when they reared, the elfish light Fell off in hoary flakes. Within the shadow of the ship I watched their rich attire: Blue, glossy green, and velvet black, They coiled and swam; and every track Was a flash of golden fire. O happy living things! No tongue Their beauty might declare: A spring of love gushed from my heart, And I blessed them unaware: Sure my kind saint took pity on me, And I blessed them unaware. The selfsame moment I could pray; And from my neck so free The albatross fell off, and sank Like lead into the sea.
Part V
Oh sleep! it is a gentle thing, Beloved from pole to pole! To Mary-Queen the praise be given! She sent the gentle sleep from heaven, That slid into my soul. The silly buckets on the deck, That had so long remained, I dreamt that they were filled with dew; And when I awoke, it rained. My lips were wet, my throat was cold, My garments all were dank; Sure I had drunken in my dreams, And still my body drank. I moved, and could not feel my limbs: I was so light--almost I thought that I had died in sleep, And was a blessed ghost. And soon I heard a roaring wind: It did not come anear; But with its sound it shook the sails, That were so thin and sere. The upper air bursts into life! And a hundred fire-flags sheen, To and fro they were hurried about! And to and fro, and in and out, The wan stars danced between. And the coming wind did roar more loud, And the sails did sigh like sedge; And the rain poured down from one black cloud; The moon was at its edge. The thick black cloud was cleft, and still The moon was at its side: Like waters shot from some high crag, The lightning fell with never a jag, A river steep and wide. The loud wind never reached the ship, Yet now the ship moved on! Beneath the lightning and the moon The dead men gave a groan. They groaned, they stirred, they all uprose, Nor spake, nor moved their eyes; It had been strange, even in a dream, To have seen those dead men rise. The helmsman steered, the ship moved on; Yet never a breeze up-blew; The mariners all ‘gan work the ropes, Where they were wont to do; They raised their limbs like lifeless tools-- We were a ghastly crew. The body of my brother’s son Stood by me, knee to knee: The body and I pulled at one rope, But he said nought to me.” “I fear thee, ancient mariner!” “Be calm, thou wedding-guest! ‘Twas not those souls that fled in pain, Which to their corses came again, But a troop of spirits blessed. For when it dawned--they dropped their arms, And clustered round the mast; Sweet sounds rose slowly through their mouths, And from their bodies passed. Around, around, flew each sweet sound, Then darted to the sun; Slowly the sounds came back again, Now mixed, now one by one. Sometimes a-dropping from the sky I heard the skylark sing; Sometimes all little birds that are, How they seemed to fill the sea and air With their sweet jargoning! And now ‘twas like all instruments, Now like a lonely flute; And now it is an angel’s song, That makes the heavens be mute. It ceased; yet still the sails made on A pleasant noise till noon, A noise like of a hidden brook In the leafy month of June, That to the sleeping woods all night Singeth a quiet tune. Till noon we silently sailed on, Yet never a breeze did breathe: Slowly and smoothly went the ship, Moved onward from beneath. Under the keel nine fathom deep, From the land of mist and snow, The spirit slid: and it was he That made the ship to go. The sails at noon left off their tune, And the ship stood still also. The sun, right up above the mast, Had fixed her to the ocean: But in a minute she ‘gan stir, With a short uneasy motion-- Backwards and forwards half her length With a short uneasy motion. Then like a pawing horse let go, She made a sudden bound: It flung the blood into my head, And I fell down in a swound. How long in that same fit I lay, I have not to declare; But ere my living life returned, I heard and in my soul discerned Two voices in the air. ‘Is it he?' quoth one, ‘Is this the man? By him who died on cross, With his cruel bow he laid full low The harmless albatross. The spirit who bideth by himself In the land of mist and snow, He loved the bird that loved the man Who shot him with his bow.' The other was a softer voice, As soft as honeydew: Quoth he, ‘The man hath penance done, And penance more will do.'
Part VI
FIRST VOICE ‘But tell me, tell me! speak again, Thy soft response renewing-- What makes that ship drive on so fast? What is the ocean doing?' SECOND VOICE ‘Still as a slave before his lord, The ocean hath no blast; His great bright eye most silently Up to the moon is cast-- If he may know which way to go; For she guides him smooth or grim. See, brother, see! how graciously She looketh down on him.' FIRST VOICE ‘But why drives on that ship so fast, Without or wave or wind?' SECOND VOICE ‘The air is cut away before, And closes from behind. Fly, brother, fly! more high, more high! Or we shall be belated: For slow and slow that ship will go, When the mariner’s trance is abated.' I woke, and we were sailing on As in a gentle weather: ‘Twas night, calm night, the moon was high; The dead men stood together. All stood together on the deck, For a charnel-dungeon fitter: All fixed on me their stony eyes, That in the moon did glitter. The pang, the curse, with which they died, Had never passed away: I could not draw my eyes from theirs, Nor turn them up to pray. And now this spell was snapped: once more I viewed the ocean green, And looked far forth, yet little saw Of what had else been seen-- Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head; Because he knows a frightful fiend Doth close behind him tread. But soon there breathed a wind on me, Nor sound nor motion made: Its path was not upon the sea, In ripple or in shade. It raised my hair, it fanned my cheek Like a meadow-gale of spring-- It mingled strangely with my fears, Yet it felt like a welcoming. Swiftly, swiftly flew the ship, Yet she sailed softly too: Sweetly, sweetly blew the breeze-- On me alone it blew. O dream of joy! is this indeed The lighthouse top I see? Is this the hill? is this the kirk? Is this mine own country? We drifted o’er the harbour bar, And I with sobs did pray-- O let me be awake, my God! Or let me sleep alway! The harbour bay was clear as glass, So smoothly it was strewn! And on the bay the moonlight lay, And the shadow of the moon. The rock shone bright, the kirk no less, That stands above the rock: The moonlight steeped in silentness The steady weathercock. And the bay was white with silent light, Till rising from the same, Full many shapes, that shadows were, In crimson colours came. A little distance from the prow Those crimson shadows were: I turned my eyes upon the deck-- O Christ! what saw I there! Each corse lay flat, lifeless and flat, And, by the holy rood! A man all light, a seraph man, On every corse there stood. This seraph band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph band, each waved his hand, No voice did they impart-- No voice; but oh! the silence sank Like music on my heart. But soon I heard the dash of oars, I heard the pilot’s cheer; My head was turned perforce away And I saw a boat appear. The pilot and the pilot’s boy, I heard them coming fast: Dear Lord in heaven! it was a joy The dead men could not blast. I saw a third--I heard his voice: It is the hermit good! He singeth loud his godly hymns That he makes in the wood. He’ll shrieve my soul, he’ll wash away The albatross’s blood.
Part VII
This hermit good lives in that wood Which slopes down to the sea. How loudly his sweet voice he rears! He loves to talk with mariners That come from a far country. He kneels at morn, and noon, and eve-- He hath a cushion plump: It is the moss that wholly hides The rotted old oak stump. The skiff boat neared: I heard them talk, ‘Why, this is strange, I trow! Where are those lights so many and fair, That signal made but now?' ‘Strange, by my faith!' the hermit said-- ‘And they answered not our cheer! The planks look warped! and see those sails, How thin they are and sere! I never saw aught like to them, Unless perchance it were Brown skeletons of leaves that lag My forest-brook along; When the ivy tod is heavy with snow, And the owlet whoops to the wolf below, That eats the she-wolf’s young.' ‘Dear Lord! it hath a fiendish look,' The pilot made reply, ‘I am a-feared’--‘Push on, push on!' Said the hermit cheerily. The boat came closer to the ship, But I nor spake nor stirred; The boat came close beneath the ship, And straight a sound was heard. Under the water it rumbled on, Still louder and more dread: It reached the ship, it split the bay; The ship went down like lead. Stunned by that loud and dreadful sound, Which sky and ocean smote Like one that hath been seven days drowned My body lay afloat; But swift as dreams, myself I found Within the pilot’s boat. Upon the whirl, where sank the ship, The boat spun round and round; And all was still, save that the hill Was telling of the sound. I moved my lips--the pilot shrieked And fell down in a fit; The holy hermit raised his eyes, And prayed where he did sit. I took the oars: the pilot’s boy, Who now doth crazy go, Laughed loud and long, and all the while His eyes went to and fro. ‘Ha! ha!' quoth he, ‘full plain I see, The devil knows how to row.' And now, all in my own country, I stood on the firm land! The hermit stepped forth from the boat, And scarcely he could stand. ‘Oh shrieve me, shrieve me, holy man!' The hermit crossed his brow. ‘Say quick,' quoth he, ‘I bid thee say-- What manner of man art thou?' Forthwith this frame of mine was wrenched With a woeful agony, Which forced me to begin my tale; And then it left me free. Since then, at an uncertain hour, That agony returns: And till my ghastly tale is told, This heart within me burns. I pass, like night, from land to land; I have strange power of speech; The moment that his face I see, I know the man that must hear me: To him my tale I teach. What loud uproar bursts from that door! The wedding-guests are there: But in the garden-bower the bride And bridemaids singing are: And hark the little vesper bell, Which biddeth me to prayer! O wedding-guest! This soul hath been Alone on a wide wide sea: So lonely ‘twas, that God himself Scarce seemed there to be. Oh sweeter than the marriage feast, ‘Tis sweeter far to me, To walk together to the kirk With a goodly company!-- To walk together to the kirk, And all together pray, While each to his great Father bends, Old men, and babes, and loving friends And youths and maidens gay! Farewell, farewell! but this I tell To thee, thou wedding-guest! He prayeth well, who loveth well Both man and bird and beast. He prayeth best, who loveth best All things both great and small; For the dear God who loveth us, He made and loveth all.” The mariner, whose eye is bright, Whose beard with age is hoar, Is gone: and now the wedding-guest Turned from the bridegroom’s door. He went like one that hath been stunned, And is of sense forlorn: A sadder and a wiser man, He rose the morrow morn